{"id":118764,"date":"2015-12-10T16:53:53","date_gmt":"2015-12-10T16:53:53","guid":{"rendered":"https:\/\/maristelacolucci.com\/?p=118764"},"modified":"2024-01-29T21:27:38","modified_gmt":"2024-01-29T21:27:38","slug":"buscador-e-book","status":"publish","type":"post","link":"https:\/\/maristelacolucci.com\/en\/buscador-e-book\/","title":{"rendered":"<i><b>Buscador<\/b><\/i> (Searcher) (e-book)"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><div data-parent=\"true\" class=\"vc_row limit-width row-container\" id=\"row-unique-0\"><div class=\"row no-top-padding no-bottom-padding no-h-padding row-parent\"><div class=\"wpb_row row-inner\"><div class=\"wpb_column pos-top pos-center align_left column_parent col-lg-12 single-internal-gutter\"><div class=\"uncol style-light\"  ><div class=\"uncoltable\"><div class=\"uncell no-block-padding\" ><div class=\"uncont\" ><div class=\"uncode_text_column\" ><p>In the analog era, editing a contact was an intimate and often lonely act. We photographers were, after the laboratory technicians, the first to see that material, with great expectation. At that moment ended what Joan Fontcuberta defines as \"the wait  for uncertainty \u2013 the time between the shooting and the developed  photos \u2013 which covered both hopes and fears.\"<\/p>\n<p>Are there also hopes and fears in the photographer when searching for himself on Google?<\/p>\n<p>BUSCADOR starts from a provocation to some colleagues: I proposed to the invited photographers that they  make contact with something equally intimate, at first \u2013 their work, their own image \u2013, but already seen by countless people and already edited by the often ruthless, sometimes accurate, other times unaware, Google.<\/p>\n<p>In the e-book available in <a href=\"https:\/\/issuu.com\/graoeditora\/docs\/buscador_organizacao_mcolucci\" target=\"_blank\" rel=\"noopener\">https:\/\/issuu.com\/graoeditora\/docs\/buscador_organizacao_mcolucci<\/a> the reader finds the definitive edition of each photographer, as well as reports on the various sensations generated by the proposal.<\/p>\n<p>Invited photographers: Ana Carolina Fernandes, Caio Vilela, Carlos Ebert, Cl\u00edcio Barroso Filho, Eust\u00e1quio Neves, Fernando Costa Netto, Guy Veloso, Juan Esteves, Louise Chin e Ignacio Aronovich (Lost Art), Luciano Candisani, Lucille Kanzawa, Miriam Homem de Mello, Paulo Fridman, Penna Prearo, Rog\u00e9rio Assis, Tuca Rein\u00e9s.<\/p>\n<\/div><div class=\"empty-space empty-quart\" ><span class=\"empty-space-inner\"><\/span><\/div>\n<\/div><\/div><\/div><\/div><\/div><script id=\"script-row-unique-0\" data-row=\"script-row-unique-0\" type=\"text\/javascript\" class=\"vc_controls\">UNCODE.initRow(document.getElementById(\"row-unique-0\"));<\/script><\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>In the analog era, editing a contact was an intimate and often lonely act. We photographers were, after the laboratory technicians, the first to see that material, with great expectation. At that moment ended what Joan Fontcuberta defines as \"the wait  for uncertainty \u2013 the time between the shooting and the developed  photos \u2013 which covered both hopes and fears.\"<br \/>\nExistir\u00e3o tamb\u00e9m, no fot\u00f3grafo&#8230;<\/p>","protected":false},"author":1,"featured_media":118765,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[171],"tags":[],"class_list":["post-118764","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-online"],"_links":{"self":[{"href":"https:\/\/maristelacolucci.com\/en\/wp-json\/wp\/v2\/posts\/118764","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/maristelacolucci.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/maristelacolucci.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/maristelacolucci.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/maristelacolucci.com\/en\/wp-json\/wp\/v2\/comments?post=118764"}],"version-history":[{"count":3,"href":"https:\/\/maristelacolucci.com\/en\/wp-json\/wp\/v2\/posts\/118764\/revisions"}],"predecessor-version":[{"id":118781,"href":"https:\/\/maristelacolucci.com\/en\/wp-json\/wp\/v2\/posts\/118764\/revisions\/118781"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/maristelacolucci.com\/en\/wp-json\/wp\/v2\/media\/118765"}],"wp:attachment":[{"href":"https:\/\/maristelacolucci.com\/en\/wp-json\/wp\/v2\/media?parent=118764"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/maristelacolucci.com\/en\/wp-json\/wp\/v2\/categories?post=118764"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/maristelacolucci.com\/en\/wp-json\/wp\/v2\/tags?post=118764"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}